Just in time for the Dutch Design Week, we received the prints for our Materialising Memories magazine. The glossy magazine gives readers an introduction to the Materialising Memories vision and projects. It features contributions from nearly all team members, both those have completed and those who are still going.
We hope the magazine helps to introduce the project to new connections and serve as a way to bring together the range of projects we have taken on since its start over five years ago.
If you happen to be in Eindhoven this week, get in touch with Elise, Gail, or Doménique for a copy. We’ll have copies on hand during the DDW DRIVE festival outing on Wednesday the 24th. Those in Australia can look forward to a locally printed copy within the next week or two.
A few weeks ago, Elise and Doménique were interviewed by UTS International on their experiences with what UTS calls a collaborative doctoral degree. Here, we have always referred to the degree as a joint program between two universities, in this case, UTS and Eindhoven University of Technology. Because Doménique was the first candidate to complete the program, we were approached to reflect on our experiences as a supervisor and PhD student.
In the video, we mention some of the benefits and things to consider ahead of enrolling in the program. UTS International hopes the video inspires future students to look into the potential for them and their future (academic) careers. We are not the only ones, there are several more videos that feature experiences with other doctoral degree programs on UTS’ YouTube channel (but not yet in a dedicated playlist so you’ll have to browse a bit to find them).
Late next month, Materialising Memories will take part in the ClickNL DRIVE festival held during the Dutch Design Week in Eindhoven. Under the title ‘Design to Support Remembering,’ Elise, Gail, and Doménique will give the audience an overview of the MM project and illustrate why it is relevant today and in the near future.
The 1.5-hour session will outline that MM is a design-research programme that focuses on supporting people when they use their autobiographical memory in everyday life. Elise’s opening segment will explain what that means in practice, and will cover topics such as memory cuing and personal memory media. Gail follows that with an interactive session exploring a relationship between personal memories and mediated memories. Finally, Doménique will talk about the design and evaluation of Phototype, an interactive photo display that was placed in the homes of eleven paticipants last year. Phototype is an interactive demonstrator designed to support serendipitous reminiscing. His talk will also discuss how the findings relate to personal media capture and use in general.
For those keen to attend, the Design Research & Innovation Festival takes places on 24 and 25 October in the Latlab building in Eindhoven, the Netherlands. Our session is scheduled in the Auditorium on the 24th at 15:00.
On 22 March the Materialising Memories team (and some MM friends) left their offices to embark on their fifth Making Memories Day. Our team outing started in the afternoon in The Rocks, the oldest part of Sydney, for an Urban Hunt (interactive scavenger hunt). We split up in two teams and via an interactive Messenger chat we received questions and cryptic clues. By following these cryptic walking directions and searching for the right answers, we passed small alleys and historical places and facts in The Rocks we had never seen or known before.
After a short Ferry and Light Rail ride we arrived at our dinner place, The Tramsheds. Some more team members joined us here who were not able to attend our afternoon activity. We enjoyed our dinner in a restored Sydney tram.
From 14-16 December ACE 2017 (14th international conference on Advances in Computer Entertaiment technology) was held. The conference was held in The Shard, which is the tallest building in the United Kingdom, and provided us with an amazing view over London.
On this conference I presented my (first!) paper ‘Photo Curation Practices on Smartphones’. The paper resulted from a master course at the Eindhoven University of Technology that was also connected to Materialising Memories. It was also my first encounter with the topic photo curation that led me to Materialising Memories in Sydney, where I did my research semester as part of my masters.
At the conference, I started my presentation by asking my audience to take a look at their smartphones and tell me how many photos their smartphone photo collection includes. After people were still raising their hands at more than 10,000 photos, the person with the most photos had over 16,000(!) photos on his smartphone. The smartphone is certainly a device to take into account if we talk about photo activities!
In this study we conducted semi-structured interviews with 11 participants and which we asked them to talk about and to show us how they perform photo curation activities on their smartphones. From the findings we identified design opportunities that can support and improve photo curation practices on smartphones.
The topics of the presentations were really diverse. I have seen presentations about games in the broadest terms, implementations of virtual reality and augmented reality, but also things like robots presenting parts of presentations, levitating food, something that reminded me of Guitar Hero to learn how to play a Koto (Japanese instrument), concepts on how to document dance and a ‘dance DJ’ that shows a dancing audience how to move.
The organisation of the conference led us to Blackheat, a historic area of London, for the welcome reception and we had dinner in the Royal Institution building, home to the organisation devoted to scientific education and research. The atmosphere at the conference was very good and this also led me to Christmas decorated pubs to have a pint with fellow researches and exploring the British nightlife;)
Well done Xenia! For the paper, see: Zürn, X., Damen, K., Leiden, F. van, Broekhuijsen, M. and Markopoulos, P. (2017). Photo Curation Practices on Smartphones. In: Proceedings of ACE 2017: 14th International Conference on Advances in Computer Entertainment Technology, December 14 – 16, 2017, London, UK. Springer.
Last week, Materialising Memories team member Annemarie Zijlema (me) participated in the Disruptive Innovation Festival. She took part in the panel discussion ‘Take Care to Repair’ with moderator Walter Stahel (founder-director of the Product-Life Institute in Geneva). The panel discussed the question how we get people to take care and repair their products, to increase the longevity of products to achieve sustainability. Annemarie talked about why some products are preserved, while others are discarded, from a memory perspective (starting at app. 24:48 minutes). The discussion was broadcasted live, and can be viewed back till 9 December 2017 via the following link:
The session was initiated by and recorded during the PLATE conference (Product Lifetimes and the Environment) at TU Delft. Annemarie presented her paper on ‘preserving objects, preserving memories’ on the role of traces on objects and repair on remembering. The proceedings are published open access on the PLATE website: http://www.plateconference.org/second-plate-conference/programme/.
Materialising Memories members Gail Kenning and Annemarie Zijlema are currently engaged in another phase of research in relation arts engagement for people with Alzheimer’s and Dementia. As part of Dementia Awareness month Danielle Gullotta, Art Gallery of NSW, and Dr Gail Kenning, University of Technology Sydney will talk about some early findings of this project, which has been supported by Department of Family and Community Services, NSW.the project
The Art Gallery of NSW has been offering art access programs, particularly for people living with dementia and their carers, since 2009. An independent evaluation of the program in 2016 showed the importance of arts engagement for providing normalcy and social scaffolding to enable individuals to engage with artworks in a supported environment. The Gallery is now working with researchers at the University of Technology Sydney to explore how arts engagement within the Gallery can be extended to develop artmaking practices, and how these important programs can be extended to reach further into the community to allow more people to benefit from arts engagement.
On Tuesday 6 June 2017 I (Annemarie) will present my thesis for the Stage 3 Candidature Assessment in the Faculty of Engineering and IT. The presentation is public, and you are welcome to join. The details of the event are as follows:
• Date: Tuesday 6 June 2017
• Time: 10.30AM to 11:30AM (presentation till 11AM, questions till 11.30AM)
• Venue: CCS studio, CB.11.06.402 (UTS FEIT)
Degree: Joint PhD UTS and TU/e (Eindhoven University of Technology, the Netherlands)
Supervised by: Professor Dr Elise van den Hoven MTD (UTS and TU/e), and Professor Dr Ir Berry Eggen (TU/e and Adj Prof UTS)
Panel Chair: Dr Sam Ferguson (UTS) Assessor 1: Professor Dr Ir Kees Dorst (UTS) Assessor 2: Professor Dr Amanda Barnier (Macquarie University)
Thesis Title: Cuing autobiographical memories by external memory cues in the personal environment
ABSTRACT: The encounter with personal possessions in everyday life, such as souvenirs, jewellery, or digital photos, can bring the past back to mind. Sometimes cuing a quick and fleeting memory, other times it brings back vivid and emotional responses. The research presented in this Candidature Assessment investigated the item-memories relation. Through three qualitative studies, this PhD research has provided insights into the aspects that influence the item-memory relation and the process of cuing memories by personal possessions (external memory cues), for physical as well as digital items. We found that possessions can cue different types of cuing responses. We discovered that different uses of objects influence their potential to cue memories, and also tensions in the relationship with objects affected their cuing. A longitudinal study revealed several reasons why the memory responses cued by personal items changed over time. Further, based on interviews with repair professionals and object owners, we gained insights on the role of objects’ traces and ageing on cuing memories. At the end of this presentation, we will reflect on and discuss how the gained knowledge can facilitate design for remembering with design considerations for designers and HCI practitioners.
Starting three weeks ago, Geke Ludden, assistant professor in Interaction Design at the University of Technology Twente, spends her sabbatical with the Materialising Memories team. She will stay and collaborate for two months in Australia as part of her home university’s personal development initiative. This initiative enables academic staff to clear their educational schedule for awhile to take up research-related activities elsewhere. In Geke’s case, her choice was to move from Enschede to Sydney for several months to build relations and expand her research network. This meant that her family had to come along as well, with her children attending a local school. The UT Nieuws magazine has covered her motivations and the organisational matters in more detail in a recent online publication.
For those of you keen to learn more about Geke’s work, check out her website. She gave a well-attended talk at UTS three weeks ago at the Creativity and Cognition Studios on her work. Last week, she was an invited speaker at a Design @ Dusk special CHISIG event at the University of Sydney. When not presenting Geke works in the visitors’ office available to the Materialising Memories team. With the attendance of OzCHI’16 in December comes an end to her visit.